He always came to me with new stories saying "I will shoot this, I will shoot that." I always gave him a free hand when he worked for me. That's probably why he wanted to work so much. Whenever he was shooting, the production paid for his food. At least he was no longer wanted by the French police. Of course there was no negative in the suitcase (laughs). I sent a guy down there to pay Franco's bill and fetch the luggage because Jess told me it contained the negative of a film I had already paid for. I can remember once seizing one of his suitcases from a hotel in the South of France from which he had done a moonlight flit. Every once in a while he just disappeared from the hotel where he was staying without paying the bill, leaving his suitcases and personal belongings behind. Several producers were hunting for him because he still owed them large sums. So, naturally he had a lot of financial troubles, overdue bills he had to pay. The money he could spend each month was far more that I usually live on, but it still wasn't enough for him. That was also because whenever he was on a set, he knew he had enough to eat. Well he pushed himself to work as much as possible. When asked, "Was he obliged to deliver a certain kind of film while under contract to your company?" Dietrich responds: Dietrich, who paints this portrait of the Spanish film maker while under contract with Dietrich. Jess Franco's Sexy Sisters (1977) is one of a baker's dozen (or so) films that Franco made for Swiss producer, Erwin C. Carlos Barrios ( Jack Taylor) visits Milly the following morning to treat her physical symptoms and her "nymphomania." Milly is also apparently suffering from powerful sexual hallucinations, a symptom of possible paranoid schizophrenia. Edna works him up in the living room her maidservant serves bubbly champagne and undresses Joe and then, Edna introduces Joe to Milly ( Karine Gambier), Edna's sister who is bound to her bed and locked in a cozy cell. Joe's ears prick up when she finally and bluntly requests a shag, and the two go back to Edna's villa. Edna requests a light for her cigarette and a drink, only to have both turned down. Edna ( Pamela Stanford) is not paying attention to the typically surreal floor show at the club, two nude females in interesting poses and donning demon masks she is far more interested in Joe ( Kurt Meinicke), after draping her leg over his chair to attract his attention.
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